mossi-mo wrote:I get really... antsy when someone believes that they are the end all be all of art because they can draw a photo in grayscale. (Like taking a test with the answer in front of them). Yet, when they try to do something like manga or even Western Action Comic style they fail miserably, but wonder why. A lot of people take one look at the triangular chin and large eyes and think that it's the easiest thing to replicate.
antitime wrote:Thank you all for listening and not judging. I have one really supportive teacher who offered to sit down in a conference with my other teacher and defend my style to the grave because she honestly thinks I'm really talented and original, and I think that one teacher is more meaningful to me than the plethora of old farts who still think we should all draw like Norman Rockwell. I aim to change the way people feel about my style by drawing meaningful things, and that's all I can really hope for.
Gibson Twist wrote:I'm not sure this is a subject that can be generalized, and it seems like something that artists who are manga-influenced are more likely to believe that instructors who advise against manga styles are some measure of ignorant. Some of them are, but not all. The truth is that it's not always an artistic question...there's a very real aspect of commercial viability.
Artists with a significantly manga style in North America are at a severe disadvantage when it comes to getting work. There isn't a large market for it here when it comes to publishing, since North American publishers can get original Japanese material cheaper and audiences look at non-Japanese manga artists as inferior. When it comes to commercial illustration for manga artists, it's practically nil.
Now, artists whose styles draw from both Asian and Western influences is a different story. Folks who embrace both are dominating the comics industry and have a much easier time finding commercial work. In fact, the broader an artist's range of influence, the better their work is going to be in general, not just in graphic arts but across the spectrum. So, really, one could say to an artist with significant Western-only influences should be learning from Eastern sources as much as manga artists should be seeking Western influences.
Yes, sometimes art teachers aren't very good and don't understand styles that are outside their wheelhouse, and anyone who advocates ditching manga styles altogether is not seeing a bigger picture, but no more than a manga artist who refuses to expand their horizons. It's not always easy to know when an instructor is steering us toward xenophobia or open-mindedness, but it's important to recognize that distinction.
blah blah blah
Antitime wrote:I feel immature when I disagree with a teacher, but I know that just because they're a teacher doesn't mean everything they say is right.

Vitotamito wrote:Wellllll most stuff is done in Korea... Even things like The Fairly Oddparents and Spongebob are usually shipped off to Korea for inbetweening. It's a sad world we live in.

gun21 wrote:Vitotamito wrote:Wellllll most stuff is done in Korea... Even things like The Fairly Oddparents and Spongebob are usually shipped off to Korea for inbetweening. It's a sad world we live in.
Dude, watch.
gun21 wrote:Vitotamito wrote:Wellllll most stuff is done in Korea... Even things like The Fairly Oddparents and Spongebob are usually shipped off to Korea for inbetweening. It's a sad world we live in.
Dude, watch.
jan83fry wrote:It's my pleasure to get an opportunity to discuss in this reputed forum. I love seeing people thrive online. It's such a great opportunity I have today.

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