
redandblack64 wrote:Nah, it's more of an action-comedy. I left some details out... but you get the point.
EDIT: I thought of this by simply turning my writer's boring invincible hero with no personality into a chronic masterbator, a moron, and a misogynist who thinks "women = crazy" due to his atittude towards them in general, which gets him kicked in the nuts, kicked out of someones house, and turns his training exercise into a living hell, all due to his sexist comments. This suddenly made the comic enjoyable again.
SuperBiasedMan wrote:Just because you've proven something blankd doesn't mean I have to believe it.

blankd wrote:redandblack64 wrote:Nah, it's more of an action-comedy. I left some details out... but you get the point.
EDIT: I thought of this by simply turning my writer's boring invincible hero with no personality into a chronic masterbator, a moron, and a misogynist who thinks "women = crazy" due to his atittude towards them in general, which gets him kicked in the nuts, kicked out of someones house, and turns his training exercise into a living hell, all due to his sexist comments. This suddenly made the comic enjoyable again.
You might want to be careful with that actually, just piling on a bunch of undesirable traits onto a character doesn't necessarily make it a good introduction, it could actually come off as a strawman setup or the beginnings of an overly preachy comic.
Rivana wrote:Thanks! That clears out a lot of things. For some reason the sitcom "The Office" comes to mind because they look at the camera once in awhile giving meaningful glances to the audience (it's not an intro thing though, they do this consistently lol. )Intros that introduce many characters at once or in rapid succession annoy me, even if the introductions themselves aren't bad.
I am curious to know what rapid succession means? Is it in the context of number of pages? Sequence of events?
I think it depends on the author's approach - if you introduce characters just to throw in names (ie like how it's the first day of school and the teacher makes each and every kid introduce each other in front of the class *yawn*) then it's a bad idea but if it's to enhance/advance the plot because these characters are introduced to the story by doing things/participating in events that is (or will soon be) related to the main plot, then it's not so bad. The latter will more than likely make the character memorable.
I've actually seen this done in Western Comicbooks (I read X-Men so there's always the imperative 'introducing the character' section for first time readers). Characters doing different things to show their personalities and what not. Some of these actions may or may not be related to the plot but more like what they are doing that will lead them to get into the main storyline. Not saying it's a good or bad approach but as a reader, I personally don't mind seeing new characters that are introduced by doing things related to the storyline itself (or in some cases, they are directly related to the story: e.g. the princess that was kidnapped that the hero named Mario needs to rescue) and doesn't make me feel like the writer just wants to throw names in for the hell of it.
On another note and this is where I see what Eishiya is talking about: there's this one anime that I did not even bother finishing watching because they introduced too many characters at the beginning and kept the audience in the dark on what their purpose in the storyline will be in such a long time. I saw them as wasting scenes because I don't care about them or what they are doing and they didn't seem to have a good chemistry with the other main characters.
I understand that some things need to be kept as a mystery until later but they didn't do a good job keeping me interested with the characters until the mystery is revealed (yes CHARACTERS - they did it to more than one. So it's like watching a bunch of people you don't really care about do things =S). Oh on some of these side/minor characters, they made you watch their origins first before you find out how they relate to the main plot/protagonist. I usually find myself interested in the character's origin after I've seen (or while seeing) what his/her role is in the main storyline.
It made me not want to watch it anymore so I quit...I can't even remember the name of that anime lol.
So yeah sorry for the long rant/babble lol. ^^

mitchellbravo wrote:mosama wrote:gevans1961 wrote:The main character wakes up from a dream and, realizes they're late for their first day of High school
LMAO SO TRUE!
Mostly in animes from what ive seen- they always WAKE UP AND ARE LATE FOR SOMETHING; school, work, kawaii desu sex!
Whelll DUUHHHH, it makes them automatically and irreversably relatable to the audience! Your readers can't HELP but like the character after they have this shared experience!
Someone should make a comic that starts with the character being ridiculously EARLY for school instead. Like they get there an hour ahead of time and feel embarassed that they forgot to turn their clock back.


MemaiShirosaki wrote:Wow, this ended up longer than intended .___.;; Sorry guys.

Iceloli101 wrote:Spoiler! :
SuperBiasedMan wrote:Just because you've proven something blankd doesn't mean I have to believe it.

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