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September 14th, 2018
Thank you for letting us see the. Panels 3 and 4 are beautifully composed. We have both reactions unsullied by words. We see them as a mirror for each other’s experience with. O distractions. You’ve given us so much in those panels.
September 14th, 2018
This is an exquisite page. The panel sequence is perfect with the slow reveal of Luke and the subtle changes as Mike opens his mouth and smiles. That you’ve set it in the context of the sacred pool gives us a sense that is is about more than bodies.
September 13th, 2018
At least they brought enough water that they aren’t dehydrated. Not needing to pee is one of the symptoms. Good planning team!
I’m always happy to see an update to this comic. Thanks!
September 6th, 2018
This is an exquisite piece of coloured pencil work.
The swamp may not be the most dangerous place after all.
How do you walk the line between ‘this is sexy’ and ‘you are really freaking me out’? This will be interesting to watch.
I thinks that first panel sums Hukaru very well. He’s introspective and alone. We never see him connecting with someone else. He is almost always deflecting or transactional (I.e. as a teacher or landlord). The closest we’ve come is his offer to read the novel. The most emotion we’ve seen is when he discovers Tomo squatting in his house.
That chair design is clever. A tail slot and a narrow back for wings. Nice details.
I’m trying to work out what’s stranger, that students would be in faculty accommodation or that there would be faculty accommodation.
Well Carter is well and truly trapped now. He can’t confess now and he has to hang around a gushing and excited Logan who is clueless about the situation.
August 23rd, 2018
That face doesn’t say it’s no big deal.
Of course, that novel might be a thinly veiled bit of erotica with someone suspiciously like Hukaru as a main character. That could explain both her reluctance to share the work and her half conscious confession.
“I love you, but I won’t let you read my novel.“ How can he feel affirmed when she so totally rejected him?
What happens when you realise your internal dialogue has become public.
Happily, they are living in a mythical BL universe.
You have done a brilliant job of using emotional depth to round out the horror. Right now that pivots on Molly, but it’s not simply the horror of Daniel feeding on the child, it’s the emotional choices the adults are forced to make. And, in Christine’s sake, the guilt that her own survival might have come at the cost of a child’s life, or worse. This is really well done.
July 27th, 2018
It looks like Doug has made his decision. I like the transition in panel 2 and the way you use the bag across panels. It ties these views of his face together and gives a sense of purpose as he follows the string.
Glad to have you back
Glad you are back at the tablet. I hope the new kit works well.