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That woman is trying so hard not to laugh.
Every update to this story is a gift and I’m glad to have it. Let them be a gift to yourself as well. You don’t owe anyone the story. Share it as you are able. I’ll be here to read it with you.
It is always great to see an update to this story. Thanks so much.
Thank you for the fan service in panel 2, though it is sadly lost on Rago at the moment.
October 20th, 2018
Your imagery is beautifully textured. The flow from the quilt to the snake and the transition to the forest and night sky at the lake add context and foreboding. This depth is what I love about this comic.
I’m wondering if the candle placement is Nate’s subtle hint as to what he should wish for. Nice job writing lyrics to the birthday song.
It’s probably for the best Rago isn’t there. I can see Tomo prancing over and wrapping him in a hug while singing Tonight, Tonight.
Nothing like having a psychopath living in your head.
“Do everything myself” I sometimes wonder if Buck realises that this is a team sport.
September 22nd, 2018
This is an extraordinary page. The interleaved memories is really well done, I like the ambiguity as well, both in the bare images and in the memories that we haven’t seen. It looks like we are going to get context and consequence at the same time.
September 14th, 2018
Thank you for letting us see the. Panels 3 and 4 are beautifully composed. We have both reactions unsullied by words. We see them as a mirror for each other’s experience with. O distractions. You’ve given us so much in those panels.
September 14th, 2018
This is an exquisite page. The panel sequence is perfect with the slow reveal of Luke and the subtle changes as Mike opens his mouth and smiles. That you’ve set it in the context of the sacred pool gives us a sense that is is about more than bodies.
September 13th, 2018
At least they brought enough water that they aren’t dehydrated. Not needing to pee is one of the symptoms. Good planning team!
I’m always happy to see an update to this comic. Thanks!
This is an exquisite piece of coloured pencil work.
The swamp may not be the most dangerous place after all.
How do you walk the line between ‘this is sexy’ and ‘you are really freaking me out’? This will be interesting to watch.
I thinks that first panel sums Hukaru very well. He’s introspective and alone. We never see him connecting with someone else. He is almost always deflecting or transactional (I.e. as a teacher or landlord). The closest we’ve come is his offer to read the novel. The most emotion we’ve seen is when he discovers Tomo squatting in his house.
That chair design is clever. A tail slot and a narrow back for wings. Nice details.
I’m trying to work out what’s stranger, that students would be in faculty accommodation or that there would be faculty accommodation.